12/23/2023 0 Comments Summer landscape pictures![]() Its composition reflects what The Times had dubbed in 1954 Middleditch’s In contrast to the Times critic’s reference to ‘drabness of colour’, Summer landscape’s palette is a vivid double act of golden yellow and deep lapis lazuli blue. Middleditch’s Summer landscape, 1955, was a classic example of this a canvas of imposing size depicting in extreme close-up a small patch of interlocked grasses, flowers and leaves whose seemingly impenetrable mass dwarfs a wind-gnarled tree seen in the middle distance. Mr Middleditch’s position, The Times, 14 Feb. Less attractive are the sometimes Brodbingnagian inflation of the picture to a scale disproportionate to its sometimes Lilliputian theme, the summary treatment verging on poster art, the drabness of colour, the superficiality of drawing. Admirable are the attempts to come decisively to grips with nature, the unfeigned interest in the sights of daily life, the boldness of attack, the vigour of execution. In his art will be found all that is admirable, and all that may be deplored, in the work of the ‘Realist’ painters. For some critics, this was taking Social Realism, the painting of the prosaic reality of everyday life, too far.Ī similar polarising effect was observed concerning Middleditch’s solo exhibition at the Beaux Arts Gallery in February 1956, where the critic for The Times felt that 3 ‘The realism of Mr John Bratby’, The Times, 27 Sept. It was noted in The Times that the paintings by these artists had ‘excited such fervent admiration, and such appalled distaste – and often for reasons of a sociological nature which seem to have little to do with the art of painting’, reflecting criticism of their questionable subject matter such as unkempt flats, dirty linen and even toilets. On the four artists see also ‘The Beaux Arts Gallery and some young British artists’, The Studio, vol. A Cambridge exhibition’, The Times, 15 Feb. The four artists also exhibited together at Heffers Bookshop, Cambridge, in February 1955. These included John Bratby, Jack Smith, Derrick Greaves and Edward Middleditch, who had all studied at the London’s Royal College of Art together, and who all subsequently exhibited at the Beaux Arts Gallery in London run by Helen Lessore (where they became known as ‘the Beaux Arts Quartet’). With this analogy between the prosaic subject matter chosen by a group of contemporary British artists and the mundanity of domestic dishwashing, Sylvester defined and typecast a number of artists as Kitchen Sink painters. 1 David Sylvester, ‘The Kitchen Sink’, Encounter, Dec. It resides in their choice of subject matter when they are painting still lifes and interiors … The post-war generation takes us back from the studio to the kitchen … and even the baby’s nappies on the line. And beyond these characteristics common to so many young painters both abstract and realistic, the latter have another to themselves. They like laying it on thick when it comes to surface texture, as if they wanted to make painting a form of low-relief, often using the palette-knife to build up a heavy crust of paint, variations in the thickness of which take the place of variations of tone and colour, or dribbling paint straight from the tube on to the canvas. They are fond of painting big pictures – often bigger than seems necessary – as if to do so were a matter of principle. We have a pretty clear idea of the prevailing tastes of the generation of painters who have come of age since the war. And if you're looking for even more thoughts on nature, be sure to check out our Nature Quotes list where you can snag some lines from famous nature-lovers like John Muir and Robert Frost.In a landmark study published in Encounter in December 1954, art critic and curator David Sylvester noted how: We've got everything from funny outdoor sayings to deeper more reflective thoughts to share with your followers. ![]() So for all of you hikers lacing up your boots, swimmers strapping on your goggles, or campers looking for the best gear for your campsite or RV, we've got a list of the perfect captions for all of the epic photos you'll be taking on your adventures in Mother Nature. Even just looking at nature photos can inspire a sense of peace to the viewer, reducing anxiety. But whether or not you would consider yourself an "outside person," we can all agree that there is a unique type of beauty and rejuvenation that comes from time spent in the great outdoors. After an extended winter and too many days forced inside by bad weather, many of us have our noses pressed against the window glass just itching to get outside. ![]()
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