![]() ![]() Netflix may be a treasure trove when it comes to content, but it doesn't have everything. To save you some time and effort, we've compiled a list of the best dramas on Netflix right now. However, because of Netflix's wide and diverse collection of quality films, it might be difficult for you to choose just one, especially because they're not all as high-quality as others. The streamer has a remarkably strong dramatic library, boasting original, Oscar-nominated efforts and acquired beloved classics. Now, multiple Best Picture nominees later, Netflix can afford to attract top talents like Killers of the Flower Moon's Martin Scorsese, Alfonso Cuarón, Jane Campion, and David Fincher. However, the best dramas on Netflix have brought critical acclaim and audience respect to the streamer, preserving its impressive subscriber count and securing its place as the king of the streaming world. Since the release of its critically acclaimed war movie Beasts of No Nation, Netflix has built a strong library of movies and shows in every genre, from comedy to horror. The 10 most popular movies on Netflix right now The best family movies on Netflix right now The best new shows to stream on Netflix, Hulu, Max (HBO), and more The best kids movies on Netflix right now Conversations with friends, family, and those that worked with Simone professionally round out the documentary, each contributor adding a new layer of Nina, a complicated but enduring individual with a calling that never ceased, and a talent like no other. Liz Garbus’ film is an introspective journey into the always-racing mind of an artistic genius, and a black woman who desperately wanted black voices to be heard and understood the world over. Plagued by racism from an early age, Simone’s rise to stardom served as a platform for the activism that would define much of her career. What Happened, Miss Simone? explores the life of prolific singer-songwriter and pianist, Nina Simone, through recollections composed of archived interviews, photographs, commentaries, musical performances, and journal entries. Mudbound is illuminating in more ways than one, an epic racial drama led by a master class of actors that all own their roles. ![]() But under the flora is loud and vibrant cinematography that enhances our connection with both families, one white and one black. Rees and Morrison were after a kind of camera work that reflected the feeling of the American Dream, and so we get beauty in shades. What’s to truly savor in Rees’ masterful period drama is Morrison’s language of framing. They return home, Jamie with newfound trauma, and Ronsel to a country that looks down at him for the color of his skin, regardless of his valor. These are Jamie McAllan (Garrett Hedlund) and Ronsel Jackson (Jason Mitchell), two boys who leave a world of racism and other struggles behind. A respective son from each family goes off to war. The expertly lensed Mudbound - written and directed by Dee Rees and photographed by Rachel Morrison - explores the personal, economic, and racial tensions of two rural families living by way of the land in World War II-era Mississippi. What is also apparent is that there is still hope for fundamental change, a message echoed by the film’s ensemble of progressively minded confiders, figures both left- and right-leaning. The film can be difficult to watch, but DuVernay’s grim realizations are made to be blatant. Over the course of the film, DuVernay and many activists, lawmakers, and academics unfold decade after decade of politically motivated legislation, and the lobbyists often behind these laws, that have led not only to the privatization of the American prison system but also to the staggeringly disproportionate incarceration of millions of African American men and women. But you don’t.” Ava DuVernay’s eye-opening, at times harrowing, 13th is a pivotal documentary that explores the centuries-old criminalization of disenfranchised African American communities, but by way of tracing the steps of American racism to its very roots. “If you’re in the prison business, you don’t want reform. ![]()
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